Showing posts with label fish. Show all posts
Showing posts with label fish. Show all posts

Saturday, December 25, 2010

Doctor Who: A Christmas Carol

by Courtney Hilden
Most of the episode's spoilers are unrevealed in this review.

By now, even Americans are well-aware that Doctor Who, the alien traveler who takes humans as companions, has their own Christmas special. This Christmas, the Doctor, Amy and Rory headed out to a strange planet where the clouds have to be controlled and where the sky swims with fishes and sharks. In an attempt to save a crashing spaceship, the Doctor has to work on the miserable old man who controls the sky by going back into his past and changing his childhood.
As usual, the crew who worked on set design deserve a huge award for the episode, which was beautifully constructed. The planet was phenomenal and strange. The fish were a wonderful touch to a planet that otherwise seemed like a vaguely steampunk remake of last year's Christmas speical Dickens-esque London.
The delightful episode had lots for older, sci-fi fans, like with the spaceship that was meant to emulate the Bridge in the most recent Star Trek movie. The nerd references continued, with discussion of how you can tame the sky (Firefly perhaps?) and with "Bored Now" (a classic quote from Buffy the Vampire Slayer.)
Matt Smith gave a wonderful, energetic, manic performance. His bon mots were inspired and delivered perfectly. Casting him and his Doctor as the Ghost of Christmas Past (and later Christmas Future) was a good idea, because, more than any other character, he lives in the past. Smith works magic with children, and his interactions with child!Sanders was more of two children talking to one another than an adult (alien) and a child. David Tennant's Doctor, for all his silliness, gave off the air of being adult and filled with adult desires. There is something strangely adolescent about Smith's performance, one that has desire but is still terribly confused by it. This is a fascinating touch to add to a character, one that has made watching the Doctor more psychologically penetrating.
Michael Gambon's performance, unsurprisingly, was made of win. He made a great Scrooge-like character. Unfortunately, the only sad thing about this episode was how little we saw of Rory and Amy, and the complete lack of everyone's favorite character, River Song.
The trading of a woman's body was incredibly creepy. Anthropologists have documented the way in which women's bodies have been traded throughout societies, and the unanswered question of what Mr. Sanders would do with this young lady's body went unanswered. They showed us where they went (a frozen storage facility.) Sanders strange infatuation with Abigail taken as "security" also emphasizes the anthropological theory of women as a sexual trading object.
As a finaly note: Does anyone know where I can get a sonic screwdriver to float in my fish bowl?

Wednesday, November 24, 2010

Chuck Versus Phase Three

On the most recent episode of Chuck, Sarah tries desperately to find Chuck.  Sarah became, in the words of Casey, "unpredictable."  Casey discussed how he disliked Sarah pre-Chuck, which is really interesting, because it implies that Casey saw something good in Sarah and Chuck's relationship.  It gives Casey's character an extra and interesting shade, since he's never said anything on the subject before and he so rarely says anything positive at all.  The episode also showed off Sarah as emotionally invested and the actress's chops.  She's always a strong character, and that's great, but seeing the intimate moment of her grief was a wonderful quiet moment in a show that usually is about the flash bang.  The episode also featured far more of the other characters and not Chuck himself, again, a nice change up from the usual. 
The best part of this episode is that it acknowledged Chuck's fear for marrying Sarah, who Morgan called "a big fish."  But then we see that Chuck wants to get over that; he doesn't want his fear of a strong woman to stop him from being with her.  It might not quite be feminism, since Sarah felt the need to say that she was nothing without Chuck, but the show positively depicts both a strong woman and the man who wants to be with her.  Sadly, you don't see that on tv too often, so in this way, the show has not only done something unique but positive for how people see gender on tv.  The only thing that isn't okay is that Sarah was in some ways "crazy" without her man.  Casey acknowledged that, given the circumstances, she had the right to be upset, but Beckman still wanted her watched.  It was borderline "hysterical woman" meme, and that's tired. 
The dream sequence that the episode opened up on was delightful strange, especially considering that it featured the show's favorite freak, Lester.  (Does Lester ever wear normal clothes, or is it only work uniforms and costumes for this guy?)
This episode also featured some great villians.  "The Belgian" was so creepy, especially with his glasses magnifying his eyes so he looked like an insect.   


In terms of disappointments, the episode tried hard to skirt around the issue of torture, which was really a pity.  Torture has been such a difficult issue in American politics lately, that it seemed too easy for Sarah to just talk a Thai diplomat and terroritsts into giving pertinant information.  Not that torture needed to happen, but the lack of dialogue over it was a little too American.  The closest they got to dialogue on violence at all was when Morgan suggested maybe they shouldn't use guns.  Again, Morgan has been aware of Chuck's situation for long enough that it seems strange that he is now opposed to guns.  And that the dialogue was limited to Morgan not wanting to be sacrificed, so then of course he's okay with guns.  And then even Casey had to admit that guns were unnecessary when they tried another tactic.  The show only kind of deals with violence in a comical way, almost never in a serious way.  Again, no dialogue on the subject.   
The episode also discussed how as spies, Casey and Sarah didn't have juristiction over certain places.  Why are we several years into this show and only now discussing bureaucracy?  Usually it's the first excuse a show like this would use to justify certain actions and storylines. 
It would also be nice for Casey to actually put his foot down and truly tell Morgan no.  The show has already established how tough Casey is, so why doesn't he just throw Morgan into a cell or tie him up to a chair?  Morgan trailing along on these missions is far too unrealistic.  "I definetely know how to use this, dirtbags"?  I would have riddled his body with bullets if he said that to me. 
And, even though the show had some good pro-women moments, how disappointing that Sarah can't save herself.  I would much rather watch her save Chuck without anyone's help.  And there was no need for her to make herself wet, except for the male gaze.  So even though yes, she's a strong woman, and yes, Chuck loves that about her, why is it her power is always being subverted by other things?  Can't we just have her be a badass without everything els
e becoming an issue?
And wouldn't it have been great if Ellie got exposed to the Intersect when she got into that computer?