Showing posts with label society. Show all posts
Showing posts with label society. Show all posts

Saturday, December 25, 2010

Doctor Who: A Christmas Carol

by Courtney Hilden
Most of the episode's spoilers are unrevealed in this review.

By now, even Americans are well-aware that Doctor Who, the alien traveler who takes humans as companions, has their own Christmas special. This Christmas, the Doctor, Amy and Rory headed out to a strange planet where the clouds have to be controlled and where the sky swims with fishes and sharks. In an attempt to save a crashing spaceship, the Doctor has to work on the miserable old man who controls the sky by going back into his past and changing his childhood.
As usual, the crew who worked on set design deserve a huge award for the episode, which was beautifully constructed. The planet was phenomenal and strange. The fish were a wonderful touch to a planet that otherwise seemed like a vaguely steampunk remake of last year's Christmas speical Dickens-esque London.
The delightful episode had lots for older, sci-fi fans, like with the spaceship that was meant to emulate the Bridge in the most recent Star Trek movie. The nerd references continued, with discussion of how you can tame the sky (Firefly perhaps?) and with "Bored Now" (a classic quote from Buffy the Vampire Slayer.)
Matt Smith gave a wonderful, energetic, manic performance. His bon mots were inspired and delivered perfectly. Casting him and his Doctor as the Ghost of Christmas Past (and later Christmas Future) was a good idea, because, more than any other character, he lives in the past. Smith works magic with children, and his interactions with child!Sanders was more of two children talking to one another than an adult (alien) and a child. David Tennant's Doctor, for all his silliness, gave off the air of being adult and filled with adult desires. There is something strangely adolescent about Smith's performance, one that has desire but is still terribly confused by it. This is a fascinating touch to add to a character, one that has made watching the Doctor more psychologically penetrating.
Michael Gambon's performance, unsurprisingly, was made of win. He made a great Scrooge-like character. Unfortunately, the only sad thing about this episode was how little we saw of Rory and Amy, and the complete lack of everyone's favorite character, River Song.
The trading of a woman's body was incredibly creepy. Anthropologists have documented the way in which women's bodies have been traded throughout societies, and the unanswered question of what Mr. Sanders would do with this young lady's body went unanswered. They showed us where they went (a frozen storage facility.) Sanders strange infatuation with Abigail taken as "security" also emphasizes the anthropological theory of women as a sexual trading object.
As a finaly note: Does anyone know where I can get a sonic screwdriver to float in my fish bowl?

Tuesday, June 15, 2010

My Sister's Keeper

by Courtney Hilden
Spoiler Alert!: The ending is given away in this review.

My Sister's Keeper is about a young girl named Anna (Abigail Breslin) who decides to persue medical emancipation from her parents so that they won't use her body to help save her older sister, Kate (Sofia Vassilieva) who is dying from cancer.
Obviously, this is a weepie movie, and only someone with a heart of stone could watch this and not feel anything for this family, which struggles not only with death but with neglect. The characters also seem far more kind and calm than anyone could reasonably expect them to be, given the circumstances.
Parts of the movie are poorly concieved. For instance, the early part of the film allows each character a monologue, and after the second one they start to feel like the screenwriter is incapable of more subltly and creatively introducting its characters. The movie also moves around in time, but because there are few points of reference, it's hard to tell where the narrative is at times, highlighting how contrived much of the action.
What is most disappointing in this movie is the attempt at romance. As Kate begins chemotherapy, she meets another cancer patient, Taylor (Thomas Dekker), and they fall in love. After Taylor dies, Kate apparently loses all the will to live, because her next move in the story is to facilitate her own death by manipulating her sister to manipulate her brother to manipulate her Mom. After all her fighting to stay alive, a boy she barely knows becomes the factor that determines how she lives or not? This is either incredibly poor motivation or a reminder of how pathetic heterosexual girls become within our society.