Hitting the Ground

by Courtney Hilden
Spoiler Alert!: Some of the surprises, though not the very last one, are revealed in this review.

First off, what a great opening. It was wonderful that we finally killed off one of the most annoying characters: Lorena. The blood was both delightful and perhaps a little too much, though it prepared the audience for the end of the episode.
It's a good and a bad thing that they changed this part of the story. In the original novel, Sookie rescues Bill by herself, which is a nice moment of girl power. But later on, she gets trapped in a car's trunk and raped by Bill, in the most anti-feminist moment of the series. Seeing that the show also fell into a similar trap was very disappointing. The only thing that was an improvement about this was that Tara was smart enough to dump Bill off and take Sookie to a hospital. (Characters should really spend more time there anyway, given the nature of this show.) But it's even more troubling that the only person who could 'save' her was her rapist. For a show that's suppose to be progressive, it seems fixated on women being helpless and submissive to men.
There's a lot of other moments where women are forced into very uncomfortable moments. Sophie-Ann has decided to take the marriage proposal of Russell, which might be more acceptable if she wasn't so clearly powerful herself. Even though she is a Queen, she is unable to control her own life.
Props for great performances this episode including Debbie Pelt for giving a scary monologue. She's going to be around for a little longer, and that monologue, with the light clearly out of her eyes, was great. Lafayette once again is the best character on this show. Watching him be the strength is this strange family is so uplifting in a very sad show. Lafayette is exactly who any sane person would want in their corner. Pam also gave the sort of performance that will stay with the audience for the next few episodes. Her sense of humor while being tortured was great.
It's nice that they're trying to give Jason more to do, but it doesn't really work. Jason trying to "evolve" just highlights how unevolved he is. Hoyt, on the other hand, is still adorable. His devotion to Jessica is so sweet. Which makes it all the sadder for Summer, who is probably going to get her heart broken.
In the disappointing category this episode was the heaven vision that Sookie had. It didn't actually give the audience or Sookie much information, other than her parents were not killed by water. (Could the writers not think of a more creative way to do this?) Even if this moment does pan out later in the story, this was the most trite way to deal with this.
As to what it is about Sookie Stackhouse, my theory is that she is some kind of rare supernatural creature, like the Maenad from last season, which is why she is always blasting other supernatural creatures with the power thing. It's also why she doesn't have a blood type, which makes her especially delicious to vampires (because she taste like no other human there is.)

It Hurts Me Too

by Courtney Hilden
Spoiler Alert: Some of the twists from this episode are given away in this review.

The next installment in the plotline juggling show that is True Blood started out with a literal bang: Sookie shot at a werewolf that had let himself into her house. (Is her house possibly some supernatural magnet? Seems like a lot of bad guys just waltz all over it, including Marianne, who turned it into a brothel mixed with a cult headquarters last season.) There were some other fun twists in the episode, including the revelation that Arlene is pregnant, not with her boyfriend's baby, but with Rene's baby. (For those of you not in the know, Rene was the villain from season one.) It also looks like Jason will become a police officer. It's a smart move, since it'll allow the audience to see more of the Andy/Jason bromance that brought so much comic relief to the last episodes of season two.

Alexander Skarsgard once again gave a stellar performance. He perfectly blends Eric's bad boy posing and his inner romantic. He gives great small touches too, like the patting of the funeral wreath after he buried the dead werewolf in an already recently-buried grave. But make no mistakes about Eric; Skarsgard can still give the menace. He's a brilliant leader, one that Machiavelli could be proud of.
Good quotes were brought to you from Lafayette, of course, who commented that it must feel new when Jason said he had a lot on his mind. Talbot had a good zinger too, telling Cooter that it was insulting to boxes to compare werewolves to them. It's hard not to love sarcastic, teenager little brother, who noted that if Sam threw a punch, he would "totally be one of them."
It might be interesting to see what they're going to do with the Sam storyline, since Sam's little brother seems surprisingly like a sociopath. It's nice that they brought Sam's family to Bon Temps, instead of having the rest of this season's Sam storyline happen elsewhere. My guess is that Sam's family is going to abuse their relationship with him, sucking money from him.
Also making an appearance is Alcide. He's a much more attractive man in this show than I thought he'd be. The other new-ish man, Franklin, is total scum, since he's clearly into blackmailing poor Jessica and Tara. He's not much of a villain, since the only thing lamer than Franklin's come-ons is his theme music.
The plotline that is the least interesting? Bill's. It's hard to care what happens to him, even with the information that he is important to Sophie-Anne. It's hard to even believe he's that important to her, since Sophie-Anne said several episodes ago that she was happy to hear he was out of the way. The flashback featuring Bill and Caroline was decent, given the flashbacks are usually dry and uninspired on this show. It's too bad we can't spend more time with Bill and Caroline, because they're a legitimately interesting couple. Lorena's lines are as terrible as Franklin's, like her whole "Your only loyalty is to your own sentiment," which she said to Bill.
Other not good things about this episode included the stilted post-coital dialogue between Tara and Franklin. It sounded more like a bad film from the forties than two modern adults talking to one another. (Bill and his wife Caroline were also somewhat stilted, though not nearly as bad as much of what came out of other vampire's fang-framed mouths.) The lack of chemistry between Tara and Franklin was particularly noticeable given the easy and sweet dialogue between Sam and Sookie and Tara and Jason. This episode was not as good as the first two of the season, but still fun and with some interesting changes to the storyline of the books.