Showing posts with label dialogue. Show all posts
Showing posts with label dialogue. Show all posts

Wednesday, November 24, 2010

Chuck Versus Phase Three

On the most recent episode of Chuck, Sarah tries desperately to find Chuck.  Sarah became, in the words of Casey, "unpredictable."  Casey discussed how he disliked Sarah pre-Chuck, which is really interesting, because it implies that Casey saw something good in Sarah and Chuck's relationship.  It gives Casey's character an extra and interesting shade, since he's never said anything on the subject before and he so rarely says anything positive at all.  The episode also showed off Sarah as emotionally invested and the actress's chops.  She's always a strong character, and that's great, but seeing the intimate moment of her grief was a wonderful quiet moment in a show that usually is about the flash bang.  The episode also featured far more of the other characters and not Chuck himself, again, a nice change up from the usual. 
The best part of this episode is that it acknowledged Chuck's fear for marrying Sarah, who Morgan called "a big fish."  But then we see that Chuck wants to get over that; he doesn't want his fear of a strong woman to stop him from being with her.  It might not quite be feminism, since Sarah felt the need to say that she was nothing without Chuck, but the show positively depicts both a strong woman and the man who wants to be with her.  Sadly, you don't see that on tv too often, so in this way, the show has not only done something unique but positive for how people see gender on tv.  The only thing that isn't okay is that Sarah was in some ways "crazy" without her man.  Casey acknowledged that, given the circumstances, she had the right to be upset, but Beckman still wanted her watched.  It was borderline "hysterical woman" meme, and that's tired. 
The dream sequence that the episode opened up on was delightful strange, especially considering that it featured the show's favorite freak, Lester.  (Does Lester ever wear normal clothes, or is it only work uniforms and costumes for this guy?)
This episode also featured some great villians.  "The Belgian" was so creepy, especially with his glasses magnifying his eyes so he looked like an insect.   


In terms of disappointments, the episode tried hard to skirt around the issue of torture, which was really a pity.  Torture has been such a difficult issue in American politics lately, that it seemed too easy for Sarah to just talk a Thai diplomat and terroritsts into giving pertinant information.  Not that torture needed to happen, but the lack of dialogue over it was a little too American.  The closest they got to dialogue on violence at all was when Morgan suggested maybe they shouldn't use guns.  Again, Morgan has been aware of Chuck's situation for long enough that it seems strange that he is now opposed to guns.  And that the dialogue was limited to Morgan not wanting to be sacrificed, so then of course he's okay with guns.  And then even Casey had to admit that guns were unnecessary when they tried another tactic.  The show only kind of deals with violence in a comical way, almost never in a serious way.  Again, no dialogue on the subject.   
The episode also discussed how as spies, Casey and Sarah didn't have juristiction over certain places.  Why are we several years into this show and only now discussing bureaucracy?  Usually it's the first excuse a show like this would use to justify certain actions and storylines. 
It would also be nice for Casey to actually put his foot down and truly tell Morgan no.  The show has already established how tough Casey is, so why doesn't he just throw Morgan into a cell or tie him up to a chair?  Morgan trailing along on these missions is far too unrealistic.  "I definetely know how to use this, dirtbags"?  I would have riddled his body with bullets if he said that to me. 
And, even though the show had some good pro-women moments, how disappointing that Sarah can't save herself.  I would much rather watch her save Chuck without anyone's help.  And there was no need for her to make herself wet, except for the male gaze.  So even though yes, she's a strong woman, and yes, Chuck loves that about her, why is it her power is always being subverted by other things?  Can't we just have her be a badass without everything els
e becoming an issue?
And wouldn't it have been great if Ellie got exposed to the Intersect when she got into that computer?

Thursday, July 15, 2010

Crimes

by Courtney Hilden


In True Blood land, Bill has officially (thankfully) dumped Sookie.  A normal girl would get angry, break some glass bottles, and then move on.  Sookie, of course, decides to take denial to new levels by staying in another state to look for him.  Sam tries to right his family, Jason attempts to bypass become a police officer the traditional way, Tara is held hostage by Franklin, Lafayette fails to sell his drugs, and Eric's club is sacked.  A lot happens in these episodes, so let's focus on the good and the bad.  
It's really bothersome that Sookie takes two seconds to be attracted to Alcide, especially after he's involved in violence.  Is Sookie attracted to violence and emotional baggage?  She's almost as bad as Bella Swan.
In the books, the audience does not see Bill's stay in Mississippi, and now that the audience can see it on screen, it's easy to see why Harris, the author, left it out.  Bill's plotline continues to be boring and slows down the rest of the episode.  The other irritating plotline is Arlene's anti-vampire screed.  Once again, this show has decided that women are all crazy and bitchy, especially when they are pregnant.  
Some of the other problems with this episode included originality.  Jason's little football-playing-rival Kit called himself the "QB" which is exactly what Kevin called himself on Daria.  And apparently the writers have watching high school rom coms from the nineties, because Sookie got a makeover in order to impress a guy. 
But some things are worth watching for.  The acting by the secondary characters continues to amaze.  Franklin and Tara's scene where Franklin dictated her call was spot on, both scary and terrifying, like a particular moment in the "Midnight" episode of Doctor Who.  Tara's scenes where she was tied up was great too, showing us that Franklin is a rapist, using not just sex but people's mind against them.  Points also to Sookie and Eric, who once again have chemistry in a line of dialogue that outdoes everything Sookie and Bill have had this entire show.
The interesting juxtapositions with faith have also continued, though this is by far the bizarrest way yet.  This time, vampires donating blood in a ritual meant to imitate the Christian ceremony of drinking Jesus's blood.  How exactly the audience should interpret this on-the-nose reference has not been yet revealed, but probably will be as the season continues, just like the show's thoughts on evangelicalism was fleshed out over the course of season two.  
There are also great friendships on this show.  At the end of the last season, the show highlighted Andy and Jason, which continues to be wonderful but now slightly painful.  It's too sad the relationship between Andy and Jason is souring, because so many shows lack friendships that feel as real and faithful as the ones in our lives. This episode showed Eric and Lafayette in a different kind of friendship.  Scenes where Lafayette is discriminated against because of his sexuality, his race and his connection to vampires is hard to watch, but seeing Eric protect his own was a relief, though not as empowering as "AIDS burger" from season one.
And no show can be bad if it uses a song from Massive Attack, so the show, despite having clunky elements to it, also has moments of genius.