Nepotism

by Courtney Hilden
Spoiler Alert!: Everything except the B-story line is spoiled in this review.

"Nepotism" the opening episode of The Office's last season with Steve Carrell, was about Michael hiring his nephew from a part of his family he is estranged from (which itself might have been a good story.) Luke, Michael's nephew, was every awful stereotype of "kids these days." He was lazy, he seemed almost gleefully incompetent (in a far more malicious way than his Uncle), and he liked The Boondock Saints. Given the audience make-up of this show, there was something strangely nasty about this character, and it felt like a commentary on those who actually watch The Office.
The opening, featuring (almost) the entire Office trying to make a YouTube video, was entirely too cute. And from there, the episode rolled from one great moment to another. Michael's stupid God and Jesus argument was another classic moment of Michael narcissism and stupidity. Most shows in their seventh season start to slow down, but this was a relatively strong episode, even by Office standards.
There was an unusually high amount of awkward-funniness. The spanking comes to mind. Michael's spanking of Luke was horrifying on some basic level, and then the various characters replicating the moment was awkward, especially Dwight's spanking of poor Andy, who has gotten metaphorically spanked enough on this show.
The episode contained a few surprises. The first was Gabe and Erin now in a romance. Gabe and Erin make a lot of sense, since both of them are so socially awkward and well-meaning. Erin acknowledging that she felt compelled to date him because he is her boss's boss was uncomfortable. It was also sad that the show has not (so far) alluded to what a problem in the workplace this is, especially for women. Part of me hopes Andy handles it as relatively well as he has so far, but part of me would love to see him descend back to that angry place he was when he first joined the show. Andy's anger problem was so tidily solved a few seasons back that it seems appropriate to bring it back, and show how a problem like that never really goes away.
Great lines of the episode:
"It got infected, even though I peed on it." -Michael, explaining an infection, completely unaware that peeing on something is for sting rays.
"Nard Man is my Father." -Andy, explaining why he is suppose to be referred to as "Nard Dog."
"What's up, Venus?" -Luke, to Phyllis.
"My favorite part of an ice cream party is the bagel chips." -Oscar
"He can swim in my pool; he can't come in my house." -Jo, explaining to Michael how she treats her nephew.
"He's totally going to get Pammed!" -Pam on her prank for Dwight.
"Everywhere I look it's Betty White this and Betty White that." -Creed, on Twitter.

The Mastodon in the Room

by Courtney Hilden
Spoiler Alert!: Some of the early details of this episode are totally spoiled in this review. The crime itself, however, is not.

In this episode, where they "get the band back together," as it were, opened up on vacation clips of what various characters were doing. It was about as boring as actually vacation clips of characters doing things. It was sort of a lost opportunity, since the episode could have shown various characters doing legitimately interesting things in their various locales. Having a few episodes that focused on characters that were finding themselves deeply embedded in mysteries where ever they were and realizing they missed the work and their teammates would have been great. They would have given the actors, especially the lesser characters, a chance to have an episode all to themselves. Instead, they were just suppose to give us a taste of what they were doing, which was apparently exactly what you expected: Daisy still be annoying in Indonesia with Brennan stoically carrying on, Booth saving the day in Afghanistan, and Cam about to douse her career into flames.
Why was Cam's apparently impending career fail the genesis for bringing these characters back together? Somehow, this felt totally false. The case felt like a reject case from lots of other police procedural shows. Another case, a much bigger case, should have brought the characters together, or even better, a character's death should have been the case that called all the characters back to D.C. (Maybe they could have killed off one of those annoying interns. I'd still vote for Daisy, who is still so annoying and socially clueless that it's a shock Sweets has not diagnosed her on the autism spectrum.)
The episode was unrealistic in a lot of other ways. Daisy was beyond stupid to bring her engagement ring to Indonesia. She was dressed totally inappropriately with her skimpy underwear and cute clothes. (And was the camera's focus on her butt in an early scene necessary? No, it wasn't.) The only good thing about these Indonesian scenes is that Brennan was at least capable of wearing clothing that was practical for the environment and that did not do her any favors.
The costume choices continued to be strange throughout the episode. Sweets looked terrible doing the jazz look, but this was hard to notice, giving his terrible facial hair. His new look makes him look like an extra from Shakespeare in Love, and not in a good way.
On a feminism note, Brennan's comment to Booth that she had to beat people up because he "wasn't there to save her" was totally out of character, considering the pilot episode showed her perfectly capable of beating people up herself and not needing the least bit of help from Booth. What happened to that Brennan? Is she still lost out in the jungle?
Cam's anger at Brennan for pursuing the career she clearly loves was uncalled for. It smacked of all that "women need to sacrifice everything for everyone else" rhetoric. If Brennan had been a man, no one would have blinked at the decision to go do research in Indonesia. It also just reeked of trying to create drama for drama's sake. And it was another example of how unrealistic this episode was. If a program was that important to both the Jeffersonian and the FBI, someone would have stepped in to keep it going. And, given the reputation that Brennan apparently has, forensic anthropologists would have probably fought over it.
This doesn't mean everything in the episode was bad. For example, most of the interns are now out of the picture, leaving the least irritating one, Wendell. (Too bad about Nigel Murray. He had real potential.)

Detroit 1-8-7

by Courtney Hilden
Spoiler Alert!: The mystery's ending is revealed in this review.

Given the city of Detroit's reputation as the world's most dangerous city, Detroit 1-8-7, a cop show, should have probably existed before. Given the show's depiction of race, it might be possible to imagine that this was the reason the show as only just premiered. The show's depiction of race is not outright racist, but there are some strange moments that deserve dissecting:

1. Although it is great to see so many of the characters are people of color, it is sad that the main character, Finch, is white. Detroit, save its metro area, is predominately African American, and it feels wrong that the story is told from a white perspective. A story set in Detroit should be told by a person who does a better job of representing its population.
2. It is also really sad that the comedy is being done mostly by the sidekick African American character, Washington. He is inept, he is comical, he is suppose to be a minstrel character, which is so disappointing, again, considering that he is a better representation of the city's population than Finch.
3. Some of the suspects were white, which was a nice change of pace, considering so many of the bad guys on other cop/detective/procedural shows are minorities. Two of the suspects, including a drug addict, were white. The night's bad guy, James Burke, was white. Although many (white) people imagine that there is a lot of black-on-white crime, the case is actually the opposite. Within the episode, the bad guy committed violence against both whites and African Americans, again, different from the mainstream, white imagination. Of course, the drug dealers were African American, so for every bit of progress of racial subversion, something typical and cliche seemed to happen.
4. The episode also depicted an interracial family, one that was sadly dealing with a father in prison and a recently-murdered mother. No comment is made, by anyone, on the fact that a white woman was raising her biracial grandchildren with her African American daughter-in-law. Is this what the so-called post-racial America looks like? Imaginary Detroit?
5. The choice in homicide itself was significant. If you have ever watched Detroit News, you know that the most common murder appears to be the "Baby Momma Murder." By that, I mean husband/boyfriend kills his wife/girlfriend, who is almost always the mother of his children. It is so common that these murders are barely given more than thirty seconds on the news. Often, these murders involve only African Americans, but here it involved a biracial family, one where the white man was killed his African American wife and tried to kill his biracial kids and white mother. This was both confirming to certain ideas about murder in Detroit but also subverted it. It adheres to an all-too-common and tragic story, but it also changed the stereotype, by showing white men just as capable of that sort of violence that is so linked to African American men. It implicitly questioned the idea that this violence is inherently linked to African American men, who are so frequently stereotyped as dangerous savages.

Some other non-race-centric notes about the pilot episode:
1. I also loved how the medical examiner does roller derby in her spare time. Finally, a cop show where the characters at least make attempts at having a life outside the job. And points for giving her a cool, feminist-hailed hobby.
2. The phone conversations between our two main characters, Finch and Washington, were an interesting detail. Previously, the audience had been led to believe Finch is unable to express himself. Those calls show he is capable, he is just choosing not to do so.
3. And finally: Coney Islands! Any good Detroiter can tell you their favorite Coney, and usually knows what is best at a few of them. Points for adding something all too real.

Chuck Versus the Anniversary

Spoiler Alert!: This review reveals everything about the episode.
by Courtney Hilden

In the season premiere of Chuck, our title character tries to both find his Mom and find a job (neither of which work out,) Chuck's Mom makes a few appearances (in a flashback, watching her son look for her, fighting bad guys), Sarah and Casey are so busy on missions they never see Chuck, and the Buy More is resurrected.
There was something reckless and sloppy about this episode. There was way too much they were trying to cram in to one episode. A lot of the other things that usually make this show delightful fell flat or felt lackluster. The humor was not nearly as funny as it once was, and this is probably attributable to the lack of everyone's favorite comic duo, Jeff and Lester. Something about the show feels very wrong and off without them.
Once again, Chuck is making a mistake he has already made: lying to Sarah. This always turns out badly, and Chuck never seems to think about this. Too bad the writers cannot allow Chuck the chance to think about things more. Sarah seemed completely unsurprised by the news that Chuck was lying about something, again. Even with the spy business being what it is, the lying that goes on between Chuck and Sarah is disappointing to watch. It also stretches a certain amount of believability, because it is hard to imagine any smart woman staying with someone with Chuck's history.
The show is wise not to rely too much on Chuck's intersect abilities. On another show, these abilities could easily morph into a deus ex machina, but on this show, they at least are smart enough to use it as sparingly as possible. The truth is that the show is at its best when it adheres to more realistic things, which is why Ellie's comment that jobs "are hard to come by," rings totally true, especially to anyone currently in the job market.
In terms of fight scenes, the best for this episode goes to Chuck's Mom, who had the most badass (but sadly quick) fight scenes. She and this episode's bad guy almost seemed friendly at the beginning of the episode, but that quickly turned sour.
Olivia Munn's acting left much to be desired. Usually the show does a decent job with acting, but her attempts at frigid were more like monotone.
Costume-wise, Sarah has one of the cutest tiered skirts on while discussing with Casey how Chuck does not want to come back to the spy world.
And finally, the show had a wonderful joke about spies when this episode's bad guy mentioned that Chuck and Morgan were smart to use public transportation to avoid detection. There was something about that joke that poked spies and spy movies right in the nose and allowed the audience to consider how too easy it often is for these characters. Getting Sarah and Casey on a bus? Perfect.

Evil is Going On

Spoiler Alert!: Almost all (but not the last) spoiler for this episode are revealed in this review.

by Courtney Hilden
"Evil is Going On," the final episode in this season of True Blood, opened up on Eric trying to kill Russell by lying out in the sun with him. After having a conversation with Godric (who, yes, is still dead), decided to punish Russell rather than just kill him. Meanwhile, Talbot's bloody pulp-remains took a trip through the plumping system, Jesus comes out as a witch, and Sam runs after Tommy. Oh, and finally, Sookie broke up with Bill. Hopefully for good.
Dealing with one of the worse things about the episode: Was it really necessary to bring Eric's maker back? Godric was a great character, but using him in some kind of vision is about as original as the heaven world that Sookie and Bill have been making regular visits to. Godric was a great character when he was simply undead, but as an angel/figment of Eric's imagination felt contrived and silly. Even Eric's motivations are obvious through his interactions with characters (like Pam), or they are not. Either way, it could work. But using Godric-back-from-the-dead smacks of some bad tv show I am so unfamiliar with I cannot even give an example.
Sookie's power (whatever it is) has become a deus ex machina. Great, now one of the other good things on this show, conflict, will be sacrificed to make things even easier for the uncompelling character. The only good thing about this is that it gives Sookie her own power within a world where mostly white, supernatural men have power.
The only good thing about Sookie scenes was that, for once, Sookie showed some character and dumped the remains of Talbot down the drain. Her evil laugh was so liberating to watch. Talbot's remains are still gross, but we have assumably seen the last of them.
There were some good moments on the show. Tara and Sam's morning breakfast started out so cute. Tara's reluctance did a good job of capping off her recent struggles with accepting vampires and other supernatural stuff. There's something sad about watching her hate all supernaturals because of the terrible things a few of them have done, but if she really is gone for a season or two, she will come back wiser and more accepting.
Hopefully, Jason is actually going to take care of the people of Hotshot. And it's going to make him a better person. Hopefully.
Jesus's betrayal of Lafayette was awful. Poor Lafayette. He finally gets a good relationship going, and, of course, Jesus has been lying to him. And obviously manipulating him. Lafayette should not trust Jesus.
The scene between Tara and Sookie was great. It was one of the few true friend conversations that have happened. Tara should not have apologized to Sookie, since she was the one trying to help her out of what was clearly a bad relationship. Tara is always setting herself aside for her white friend, and it is so sad to watch. If the show does depict where Tara goes next, it should include her sticking up for her own feelings.
Bill continues to be a disappointment. Eric is one of the few good characters, and although it is nice to embrace my hatred of Bill now that it's clear he truly is in it for himself, I am already missing Eric.
His instance of killing anyone who has tasted Sookie is another great moment of creepy misogyny. "Tasting" here is obviously a metaphor for sex, and to here Bill claim he is going to destroy all of those who share a sexual link with her is just another one of the things to add to the "Nasty Anti-Woman Things Bill Says."
And finally, some positive things about this last episode. One of the things not cover in these reviews is how good the music has been. Every episode has ended with perfect music. The incidental music during the last scene between Tommy and Sam was particularly nice.
Also: Terry has an armadillo?